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MADAME
BOVARY
B&W,
106 min.
Released:
August 27, 1949 (MGM)
Cast:
Jennifer Jones (as Emma Bovary), Van Heflin, Louis Jourdan,
James Mason, Christopher Kent, Gene Lockhart, Frank Allenby,
Gladys Cooper, Ellen Corby, Henry Morgan..
Director:
Vincente Minnelli
Producer: Pandro S. Berman
Tagline:
"Whatever it is that French women have, Madame Bovary has
more of it!"
Complete Credits
at IMDB
Media:
Score
Clip from ReelClassics
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Gustave
Flaubert's literary masterpiece "Madame Bovary" was
highly controversial when it was published in
1857 and Flaubert even went to court (but was acquitted)
for publishing a morally offensive book. At the beginning
of this film, Flaubert (played by James Mason) takes
the stand to defend himself and tells the story of his
heroine, Emma Bovary, a woman whose fantasies of romantic
idealism eventually lead to her and her husband's
downfall.
Madame
Bovary is a sumptuously produced film, expertly
directed by Vincente Minnelli, and still looks good
today. The sets, photography and costumes
(by Walter Plunkett) all contributed to a technically
flawless production. There are many scenes that
remain vividly etched in the viewer's memory long
after the film has ended. The Vaubyessard ball scene
was hailed by critics for its brilliant execution.
Throughout the film, Emma often looks at herself in
mirrors and the scene at the ball when she sees herself
in the mirror surrounded by suitors is a classic moment.
Other notable scenes include the one where Emma is
to elope with Rodolphe to France. It is the middle
of the night and Emma, dressed in a flowing cape,
is pacing the deserted windswept streets waiting for
her lover's carriage to arrive. And Emma's deathbed
scene is one of Jennifer's best (maybe not as good
as Bernadette's but
definitely better than the one in A
Farewell To Arms).
Producer
Pandro Berman's first choice for the role of Emma
Bovary was Lana Turner. Director Minnelli vetoed
his suggestion (Turner was pregnant anyway and wasn't
available.) Minnelli heard from Selznick
that Jennifer was interested in the role and offered
to loan her to MGM if they would also use some of
his unemployed actors (Kent and Jourdan).
Critical
reception of Jones' performance at the time of the
film's release was mixed. Seen today, her
performance is decidedly uneven with her being weaker
in the first half but strong in the final half.
Some of her scenes, notably the one following Rodolphe's
departure for France without her and her confrontation
with Charles, is (in my opinion) some of the best
dramatic work she ever did.
The
film did modestly well in the United States and
was a big hit overseas. It received an Academy
Award nomination for Art Decoration but was oddly
omitted in the Costume Design category.
Interesting
Tidbit - Ted Turner colorized Madame Bovary for
TNT several years ago. While I am not a fan of colorization,
I must admit that he did an exceptional job and this is
the type of film that needs to be seen (at least one time!)
in color.
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